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In another topic in this board, it was suggested that I was unaware of the existence of the Balto Scrapbook which the Carrie M. McLain Museum of Nome, Alaska has made available to visitors wishing to have, allowing that they would be willing to pay $100.00 for it. (I will not detail the suggestion in the other, now locked, topic in order to avoid an argument in this topic...but sharing information about the scrapbook itself is something everyone could benefit from.)

It, as described, consists of newspaper clippings, some photographs, and other items. They had a sample copy they showed me when I visited there in May 2008, and I recall that the cover was black. Because I had done some hours of research in there, and spent time not only photographing (and taking video of) the museum but also exchanging information and engaging in long discussions with both the employee there at the time, but also Laura Samuelson (the director) and Cussy Kauer, a descendant of Nome's famous late historian Carrie McClain (for whom the museum is named). She and her family lived in Nome most of her life, and she was the daughter of a gold prospector (as were many of the American and European children who lived in Nome during the early 1900s).

Cussy is the town's "controller" (chief financial officer), or at least was back when I visited, which I discovered when I asked a museum staffer about her, and she offered to meet me in town and drive me out to Discovery Claim on Anvil Creek (at the base of Anvil Mountain), where gold was first discovered by the "Three Lucky Swedes" in 1898, thus giving birth to the (then) gold rush boom town of Nome. She drove me right out to the claim location, showed me around, and we had a nice discussion about it, Nome's history, the cemetery (which contains many citizens from the gold rush era and some from the diphtheria epidemic), and so on. She took time off from work to do this for me, for which I was grateful. She is an amazing woman!

I didn't purchase the book, though it was offered to me for purchase. I explained to them that, after spending nearly $1,800.00 on my travel costs at the time for the entire trip, I hadn't the extra cash to make the purchase, and probably would at a later date. And I will, too.

In the meantime, if anyone would like to consider contacting the museum about the scrapbook, or for any other purpose, here are some links you can follow to get in touch with them (the first, from Nome's Convention & Visitors Bureau website, has a virtual photographic tour of the museum for those with Flash enabled on their computer):

http://www.visitnomealaska.com/nome-businesses/museum/museum.html

http://nomealaska.org/museum

In the interest of also sharing information for anyone who might be interested in purchasing this publication, here's some more about it for your consideration.

The Scrapbook was put together by Gunnar and Anna Kaasen. It is a family album type of book. 99% of the contents consists of newspaper articles collected by the Kaasens starting from the time of the serum run and running through the nationwide tour. As you can imagine, these articles are from newspapers all around the USA. There are a couple of later articles which are about Balto and the other dogs going to the zoo in Cleveland, and about Balto's death. There is also a copy of the petition to create the Balto statue in NYC.

After Gunnar and Anna died, this album was inherited by one of the family members and later found its way to the Nome museum.

There was also some question in another topic about the use of newspapers in general. Here's some applicable copyright info. also for your consideration. Used with permission. Identity withheld for privacy.
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"My overall advice is to always use the guideline that all photographs and articles are copyrighted, and to always contact the owner for permission to use their material.

If you would like to use or display text and photos from a newspaper for any reason, you would first need to apply for a license for your particular use. Not all content that is in the print newspaper belongs to that newspaper. Papers pay to use wire and freelance work for one time rights. A newspaper owns the collective work of that paper as it is displayed on the page. Once you start to take apart the components, the copyright belongs to each entity that created each individual article or photograph. License fees vary greatly according to the rights and the use you are requesting.

In the case you presented, the photos are owned by the person who took them. The article is owned by the newspaper as it was written by one of their staff reporters. Since the photographer was not affiliated with the newspaper, you would have to apply for two sets of licenses. The first one to the newspaper for use of their article, and the second to the copyright holder of the photograph. If the newspaper owned both the photo and the print article, you would only have to apply for one license. The same one license requirement would also apply for the collective use of the entire page.

These provisions apply to all newspapers not in public domain. The papers that come under public domain are those published before 1923."
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P. S. - Just for clarification, the particular newspaper story I asked the copyright person to comment on was an article about Leonhard Seppala and it included a couple of photos of some of his dogs.